So said Steven Aimone in a workshop I had with him a few years back. If I remember that, I usually find a way forward with something I've been struggling with.
In fact, I knew I'd written about this before and did a search through my blog for the phrase and saw it in a May, 2013 post. I'd forgotten Archie Brennan's bit of advice that I also mentioned there: "When in doubt, simplify."
Over the past several days I've worked with many drawing/paintings and have been happy with some and not so pleased with others. Yesterday, I spent most of the day re-examining them, deciding some were OK and those that weren't, I worked on. I over-painted, washed away, reassessed and finally gave in to using white gouache on some to go back to lighter areas. I just haven't yet found a light enough earth pigment to do what I want. I'd wanted all of the work on these pieces to be from natural sources--but, after all, I'm the one making up the "rules" to follow. And I can choose to change them if I want to.I'm taking to heart something Archie Brennan said at the recent workshop: "When in doubt, simplify." Also in mind is another quote, interestingly also beginning the same way: "When in doubt, make big changes." (Steve Aimone)
The biggest change came with a large watercolor piece that I described in process in a previous post, the one on which I sprayed acorn dye over leaves as a starting point. I just wasn't happy with the end result and yesterday morning I decided to try to wash off some of the dark area that I'd gotten from the iron/rust solution. I took the painting to the cottage and ran water from the outside faucet all over it. Nothing budged! At least I know how permanent that stuff is now.
All I could think of was "when in doubt, make big changes" and the biggest change I could make (other than ripping the paper to shreds and reassembling it--and yes, I thought of that) was to use white gouache to cover some of the dark.
And that's what I did. While the paper was still quite wet I laid it on the porch and began to paint with the gouache and a large, flat brush. Within about 20 minutes I had this:
And I'm much happier with the image now.
The other large piece is OK, too. Here's where I left it yesterday afternoon... didn't do any other work on it except to once more look at it from a different orientation:
I have one other idea to work on today. It's my last full day here and I'll need to pack up the studio later in the afternoon. But I want to begin (and maybe finish) one or two more things.
It is inspiring to be able to look at your working methods as you progress from your first impressions to the final (or approaching-final) complex interpretations. Thanks for sharing your Hambidge experience in your blog.
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