Moving ahead on the head

I photograph in-process tapestries because the photos help me see it in a different way.  For instance, right now as I look at this, I'm very tempted to stop with the color and continue with white and gray lines.  I'll discuss this thought with Megan today to see what she thinks about my possibly taking that amount of liberty with her image.  With only one eye, however, there's already a degree of personality contained.  The tapestry might be more interesting if changed up a bit.