When a dream comes true how does one write about it? I'm not quite sure but will begin and see where it leads me.
My dream to study tapestry at
West Dean College began almost two decades ago when I first started hearing about the program. Was it in one of Archie Brennan & Susan Maffei's workshops where I first learned about West Dean and the tapestry course? I really can't remember exactly when and where I first became aware of it. Once I did, however, I began to dream. I wrote away for information about the program many years ago. I pored over the beautiful brochure I received--and I filed it away. I mentioned it to students whenever asked where to study tapestry on a longer term basis.
Years passed with West Dean as a distant tune playing in the back of my mind, even though I didn't even know all the words or even the melody. Whenever asked what I'd like to do to develop my tapestry abilities further, I'd always say I wanted to study at West Dean someday.
When I learned that a tapestry friend, Barbara Burns, was going to West Dean my interest really perked up. But... always I had the thought--could I really do it? Could I afford it, both in time and money? The program isn't inexpensive and being away from home and my responsibilities there for even the short time of six weeks--considering both things was daunting.
But, you know... there comes a time when one must say-- "Do it or shut up about it!" Earlier in this year I decided I'd pursue this dream--or stop dreaming it. I talked to my husband about it and, with his encouragement, I began the process of application.
Over the past six months I've had several conversations with kind folks who've helped me in my decision making process. Barbara Burns, for instance. She showed me her wonderful photos from her time here while we were at an ATA workshop in Santa Fe in the summer and gave me much advice about what to expect. Cheryl Silverblatt, who I met in Lincoln, Nebraska during the Textile Society of America Symposium in early October, was also encouraging (she'd studied at West Dean as had Barbara). Very important in my process of understanding about West Dean were Pat Taylor, Senior Lecturer in Visual Art and tapestry tutor; Diana Scarth, one of the tapestry & textile art students; and Sue Powell, the Academic Manager for West Dean. Each one gave me encouragement, answered every one of my many questions quite thoroughly through e-mails, and all were instrumental in my making the decision to come for this study.
Some turns in the road caused me to reconsider along the way... but... on Friday evening I boarded a Delta jet heading, non-stop, to London ...
... and Saturday morning, November 6 at around 6:30 a.m. a non-stop flight from Atlanta, Georgia landed at Gatwick airport with me on board.
I found my way, with help, to the train for Chichester... and from Chichester, with help, I found the right bus to drop me off at West Dean (if you're interested, it's the No. 60 Bus to Midhurst, ask the driver to let you off at West Dean College).
I walked the 1/2 mile or less to the main house at West Dean with my rolling carry-on and was visually and spiritually amazed the whole way there. The South Downs are so incredibly beautiful and the Edward James Foundation is part of the heritage of the area. I'm just learning about Edward James and what his impact has been on art throughout the 20th century--and his legacy beyond. This estate is impossible to describe in words... I'll try to show images over the next few weeks of my time here--but these will only give a small sense of what I'm experiencing.
The main house
and the view from the house
My room...
... and my space in the studio... ready for work last Sunday!
A few supplies await in my window for when I'll need them later. The instant coffee is for the mornings; the fruit is to be taken to the studio for afternoon snacks; the Fisherman's Friend packet of "traditional menthol eucalyptus lozenges" is a hedge which I will hope not to have to use!
A view of the end of the Orangery where we had drawing class last week.
One of the Tapestry & Textile Art students, Magenta, works on her drawing at the Orangery.
Another of the T & TA students, Erica, works on a drawing at the Orangery... note the fish in the pan at her feet, the subjects for her drawing.
The Orangery and the Church beyond... at one of the few sunny moments during the past week.
My space at the studio on Sunday before I cut off the first sampler.
Diana working in her space on Sunday, Nov. 14.
Erica working in her space at the studio.
My first sampler is finished on Sunday... and as I compare it with the original from which I worked I see that the lights aren't light enough. The dark and mid ranges are OK but the lights in the weaving are much too dark. I've re-warped and will weave the same cartoon again this week to attempt a better match of value.
A few of my figure drawings from Richard's modeling session last Tuesday.
